Johnny Red: Falcons’ First Flight

The most recent installment in Titan’s series of hardcover reprints of late ’70s British war comics, Johnny Red breaks the mold that the last seven years’ worth of Charley’s Warreprints have been building; unlike that series, Falcons’ First Flight isn’t concerned with educations in class warfare or war-is-hell parables. Pure excitement is the primary concern, and while artist Joe Colquhoun’s taste for accurately referenced machinery keeps Johnny Red sternly connected to visual realism, writer Tom Tully never met a cliché he was unwilling to pluck. (Does Johnny refer to himself in third-person on occasion? Of course he does! Does our hero cry upon receipt of the Order of Lenin? Even Stalin had less manly tears.)


Of course, the format shouldn’t go without mention—these stories were originally serialized in three-page weekly onslaughts over the course of five years, and any desire on the part of Tully to change things up a bit would’ve been sorely tested by the limitations inherent to that kind of turn-it-in schedule. Without the sort of political agenda that motivated Charley’s War (to say nothing of the range of stories that could be told in that title, seeing as its main character continually traversed most of World War I’s European terrain), Tully’s options at the beginning of these stories are relatively limited. See, Johnny’s a young British pilot, dishonorably discharged for striking an officer before he could even go to war (in the early pages of the series, the officer survives the ensuing fall, but by the middle of this volume, the back-story is changed to depict him as having died, thus making Johnny an accidental murderer with no legal hope of ever flying for the RAF). Due to some circumstances best described on the book’s hysterical back clover blurb, Johnny ends up stealing a high end British fighter plane (a Hurricane) and joining the surviving members of the Falcons, a down-on-their-luck squadron of Russian fighter pilots. He can’t go home, but at this point in the story, defection is still out of the question. There’s only one real option: non-stop fighting. (Or, as Garth Ennis puts it in his justly hyperbolic introduction, “total war”.)


Johnny’s basic situation is a great narrative idea, no matter how illogical it might sound, and seeing the character go from idealized mascot to sideways leader of the Falcons contains no small measure of excitement. On the visual front, there’s plenty of examples demonstrating why Colquhoun’s death would later shutter Charley’s War, with his depictions of air combat here a constant delivery of the dense, hyper-detailed carnage that made all of his war comics so popular and engaging. That isn’t to say that everything about them is particularly easy to read—like the Charley’s War reprints, there’s a good ten pages of poorly scanned material—but for the general war comic fan, the effort to keep up is undoubtedly going to be part of the enjoyment. (Ultimately, the density of each panel comes as a direct result of Colquhoun’s consuming interest in accurate depiction, which apparently overrode concern over whether this made it difficult for the lay reader to immediately distinguish certain types of historic warplanes from one another.)


Johnny Red isn’t an acquired taste, but it is a predetermined one—people are either down for this kind of stuff, or they aren’t. While not devoid of the sentiment that can disease the war films it most resembles, it is more firmly grounded in that sentiment’s home: patriotic, full-of-shit hearts, gutter drunk on idealized brotherhood and the religion of dumb luck. Johnny’s adventures are ones where every motive (both the readers and the characters) is laid out in full display. There’s nothing to get in the way of guns, glory, and the freedom of the one man war. Its pleasures are, to some extent, juvenile (comic’s standby synonym for the word “intoxicating”), but that’s to be expected, if not welcomed. Johnny doesn’t want to teach you about morality, and like the dopey Labrador his Russkie comrades often resemble, it’s laughable to think he even could. It’ll be up to the individual in which column to chalk up this absence of morality; be it a shrugged out win, or a stormed off loss.

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The Infinite Wait And Other Stories

In a sense, the heart of each of the three short stories in Julia Wertz’s memoir The Infinite Wait is the impact that discovering comics has had on her life. Ostensibly, the book is broken up into “Industry”, a chronological account of her life as seen through her job history; “The Infinite Wait”, her account of learning that she suffered from chronic systemic lupus; and “A Strange and Curious Place”, a love letter to the first public library she haunted as a child. While each story can be read as discrete narratives, the truth is that this book is a sort of recapitulation and revisitation of the themes and events she explored in her first three books (The Fart Party Volumes 1 & 2; Drinking At The Movies). There’s a deeper level of narrative, thematic and emotional complexity that becomes more apparent as one reads the book for a second time. Wertz doesn’t exactly disown her earlier works in this book, but she goes into detail as to why each of them make her uncomfortable from her current perspective.

In the interest of full disclosure, I blurbed the book. I wrote, “Julia Wertz has become one of the most bracingly raw and honest autobiographical cartoonists without losing an ounce of her irreverent, silly, profane and scathing sense of humor.” That latter point must be emphasized: though Wertz takes on some serious topics and reveals some harsh truths about herself in the course of the book, her sense of comic timing has never been better. While each story does have a roughly chronological narrative structure, Wertz rambles, goes on tangents, and diverges into events and themes that aren’t directly related to the ostensible subject of each chapter. The result is a book that’s all over the place in the best possible sense, as her divergences and references to past books and past events, as well as the way she retells certain events from a different point of view, speak to the complicated, messy way life is lived and experienced.
The cover of the book offers a number of clues to the reader as to what should be expected. A scowling Wertz is sitting on her bed but is nonetheless surrounded by things that are important to her: pens, ink, paper, comics (including the three that were name-checked as big early influences: Julie Doucet’s My New York Diary, Ivan Brunetti’s Misery Loves Comedy, and Carol Tyler’s Late Bloomer), a bottle of whiskey, books about alcoholism and addiction, books about mental illness, books about lupus (including one “titled” Oh Man You’re Totally Fucked) and several other books that have meaning for her. Those comics choices are especially interesting, because I can see elements of the three seemingly disparate cartoonists in her work. She clearly embraced the ramshackle, warts-and-all quality of Doucet’s autobio, the take-no-prisoners humor of Brunetti, and the genuine warmth and emphasis on family present in Tyler’s work. In thinking about Wertz’s book, I think it’s best addressed going theme by theme rather than examining individual stories. From examining the parts, an interesting picture emerges.

Family


Wertz’s family is a constant in this book, and it’s obvious that they not only mean a lot to her, but that they contribute significantly to her daily happiness. Even her father, with whom Julia and her siblings have a somewhat tense relationship, is still portrayed as a kind of weird, lovable crank. While their points of view are wildly divergent in many ways, Wertz’s pride in her mother’s accomplishments is obvious. (It’s always funny when Wertz censors herself because “my ma is gonna read this!”) The sections of the book where a teenaged Wertz has to look after her toddler younger brother are some of my favorites in the book. For someone who has noted elsewhere that she has no desire to become a mother, Wertz is astonishingly good at depicting the behavior of children in a manner that is both affectionate and truthful. While the last thing a teen might want to do is look after their younger brother, there’s a remarkable presentness in how Wertz approaches him, knowing just how to interact with him.


The most important family member portrayed in this book is Julia’s older brother Josh. From the very beginning of the book, when young Josh and Julia are disappointed to be told they can’t marry, only to recoil in disgust when they’re told what marriage is all about (“Now I don’t ever want to be married!”), the duo are their own comedy team. The dialogue that Wertz depicts in this book between them is not only some of the funniest stuff in the book, it also points to their genuine sense of connection, Wertz’s dependence on him during a key period of her life, and an understanding of how to display affection despite their mutual discomfort with sharing and displaying emotions. Josh shows up as a partner-in-crime in a hilarious anecdote about a newspaper job where a lot of hijinks ensued, as a comfort to Wertz when she was seriously ill, and as someone who devoured books the same way she did. Wertz’s upbringing was obviously far from perfect, but despite a weird and turbulent childhood, the warmth with which Wertz discusses her family and how much their travails and successes affects her everyday life is obvious and unusual in most autobio comics. The fact that Josh reads Wertz’s first attempts at making comics and encourages her to do more is obviously something that spurred on her career.

Work and Purpose


“Industry” is clever because its episodic nature allows Wertz to linger on her childhood as much as she does her young adult years. Wertz’s line remains as crude as ever in terms of portraying caricatures of others (her drawings of faces are approximations at best), but she’s aces at depicting body language–especially when kids are involved. When young Julia is disappointed, Wertz loves drawing the stiff, arms-forward pose of righteous indignation– a pose she also draws for the adult version of her self-caricature. This is the section of the book that’s packed with the most gags, as the cynical and occasionally misanthropic Wertz manages to simultaneously piss people off as a waitress while revealing a tireless work ethic. Wertz shoots fish in a barrel with a bazooka with her hilarious accounts of customers obsessed with ranch dressing, the politics of upscale restaurants, sleazy pizza shop owners, etc. Her breathless account of the differences between baby sitting now and twenty years ago (focusing on how much stricter modern parents are now regarding food, TV, etc.) is the longest sustained laugh in the book.


Underlying all of the funny business is the first mention of her alcoholism and how it started to affect her life. In a very matter-of-fact fashion, she relates how it cost her a couple of her jobs. The realization that she had no one to blame but herself for being fired is a dark moment, one made darker when she essentially skates right past it on her way to other jobs. It’s also balanced by her discovery of comics and the realization that she finally found what she really wanted to do after a lifetime of drifting and finding that she was good at something that wasn’t especially meaningful (waiting tables). Even as her drinking problem got worse before it got better (and Wertz notes that this is an ongoing battle), the fact that she could make a living off of doing comics and even be tempted by optioning her life story to Hollywood was an astonishing positive, one made all the more meaningful when she more fully came to terms with her problems.

Relationships vs Solipsism


In “A Strange and Curious Place”, young Julia makes a fort in the living room and declares, upon poking her head out after her mother inquires after her, “There’s nothing for me out here.” She was happy to be in there with her books. Wertz goes into detail about an almost fetishistic love of books, down to the smell and feel of paper. Part of this is fueled by Wertz’s lifelong distaste for being a joiner; she wasn’t continually misanthropic, of course, but she never faked it to fill in. Once again, comics had a huge impact on her life, as she met dozens of cartoonists during a cross-country trip who wound up becoming life-long friends. In her comics, Wertz portrays the way she expresses her emotions as something mediated through various filters, like jokes with her brother. Comics became a filter with which she could develop close friendships built around a common passion, especially considering how bookish and introverted many cartoonists tend to be. Each of the three chapters ends with Wertz eventually expanding her range of relationships during different periods of her life, but there’s no question that she depicts herself as going from closed off to more open to opportunities in each story.


Alcoholism


Wertz notes in the book that she originally intended her follow-up to her book Drinking At The Movies to be about her experiences with alcoholism and rehab. Finding this to be a joyless, frustrating task, she almost lost her taste for creating art until her brother told her that doing a book about one’s own alcoholism in the middle of combating said problem seems counter-productive for both endeavors. The simple suggestion to do something else eventually helped spawn this book. That said, being an alcoholic pervades much of the book. Beyond getting her fired from a couple of jobs, it led her to go the solipsistic route of cutting off most contact because it helped enable her drinking. Simply by acknowledging this now and connecting this heretofore unexplored aspect of her life to other life events, she’s already laid the ground for future explorations of the issue–if she chooses to do so. All I know is that a Wertz-penned book about rehab, even if it has its harrowing moments, is as likely to be as hilarious as anything else she’s done.


Disease


Wertz is quick to note that as unpleasant as her experience with systemic lupus was over the many months it turned her into jelly, she realizes that she was never hospitalized and never faced the sort of struggle that a cancer patient might. That said, The Infinite Wait acts as a kind of antidote to the many Disease Comics that have been published in recent years. That’s especially true in the scenes Wertz depicts of being in a doctor’s office and taking in horrible information in a matter-of-fact fashion. It’s true that Wertz tends to react to extreme news in a nonchalant way as a means to delay or deflect feeling strong, negative emotions, but it’s also true that this is simply part of her personality. Wertz goes into a lot of detail about how her experience with the symptoms of lupus altered her life, stopping short of a PSA but not glossing over the experience either. The scenes with her brother act as a way of grounding her experiences, venting her fears while trading terse one-liners with her sibling. Once again, comics come into play as something she started reading on a whim when regular books tended to exhaust her in her weakened state. She thought comics would be something simple to read but found that her mind was blown by the sheer possibilities that comics had to offer–so much so, that she picked up a pen.

Aesthetic Joy


The Wertz character is a cranky, complaining sort, with the complaints being played mostly for laughs (both at her expense as well as others). The reality is that while a lot of things annoy Wertz, there are even more that delight her. That’s why “A Strange and Curious Place” is such a fun and even inspiring story. With a remarkable level of detail, she discusses not only the books that transformed her life but the building that housed them as one that had mysterious, “adult” properties. Wertz really knows how to get to the essence of places and people and talk in very specific terms about what makes them wonderful or terrible. She has the rare ability of being an astute observer with a sharp mind for constructing and relating vivid, funny anecdotes. Her voice as an author is so strong that these anecdotes, even when presented in a fairly straightforward, episodic manner, always feel organically constructed. Her art really shines when bringing to life an old, beloved street or the house she grew up in.


Her inability to draw convincing faces sometimes interferes with her narratives and is at odds with the way she’s able to simply but competently draw anything else. At the very least, she draws recognizable figures that are easy to track across the book. It’s just unfortunate that part of the punch of her work is muted in that regard. The other problem that Wertz has is a maddening propensity for typos and spelling errors. This book also had a duplicate page in addition to dropped letters, repeated words and other things that should have been picked up by a copy editor. It didn’t affect my enjoyment of the book, but I did find it distracting. Wertz has grown by leaps and bounds into one of comics’ best memoirists and funniest writers, and one gets the sense that the best is yet to come from her. The Infinite Wait feels like a book where the author is taking stock of her own career and starts to beat a new path for herself while shedding new light on old work. By going over old territory with new insights, Wertz not only makes those older books better in light of what is revealed here, she has also crafted a moving and funny new work that’s the best of her career to date.

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War Nurse: Alone

In 1938 Hitler unified Austria with Nazi Germany and on September 29th the Munich Agreement handed over the Czechoslovakia’s Sudetenland to the Nazis. Prime Minister Chamberlain said it gave us ‘peace for our time’ and Hitler was selected Time magazine's Man of the Year for 1938. Hitler’s forces invaded western Poland on September 1st 1939 and two days later Britain, France, Australia and New Zealand honoured their pact with the Polish and declared war on Germany. In 1940 Hitler proclaimed the birth of the ‘Greater Germanic Reich’ and Mussolini’s Italy joined the Axis forces before France surrendered on June 22nd, Leaving Britan alone in Europe. The Blitz on London started on September 7th 1940 and on the second night St Thomas Hospital where Nurse Patricia Parker was working was bombed. Four days later she becomes War Nurse when faced with a U-Boat full of Nazis just off the south coast, who were planning to kill the new Prime Minister, Winston Churchill. The occult and 5th Columnist subplots with this comic set the scene for feature issues and introduce several supporting characters. War Nurse is a Domain Free character and other Golden Age Domain free characters will also make appearances in later issues, including the Black Cat and Kitten, Octobriana and many more. For more information and images visit www.cdgraphicnovels.blogspot.com

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100 Bullets Book 1

In the opening chapters, Dizzy Cordova, a Latina gangbanger who has just finished a prison sentence, is given the chance to avenge her family's murders, and a downtrodden bartender receives the opportunity to exact revenge against the woman who ruined his life.

Then, as Agent Graves continues to approach and manipulate his "clients," questions about the ghoulish agent start to arise as people from his past begin to appear, revealing interesting information about their former acquaintance.

And in this volume's third arc, Graves pulls a young man by the name of Loop Hughes into his web of intrigue and deception. Armed with one of Graves's briefcases, Loop tracks down his long-lost father and is soon drawn into the world of mob enforcement.

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The Matrix Comics (Collection)

The Matrix Comics (Collection)
English | PDF | Collection | 173.23 Mb
Genre: Comics : Sci-Fi


BONUS Just Don't - Eolake Stobblehouse.pdf 48.37 KB
Series 1/01 - Goliath - Neil Gaiman.pdf 303.68 KB
Series 1/02 - System Freeze - Poppy Z Brite.pdf 114.23 KB
Series 1/03 - Sweating the Small Stuff - Bill Sienkiewicz.pdf 8.24 MB
Series 1/04 - Deja Vu - Paul Chadwick.pdf 1.30 MB
Series 1/05 - Morning Sickness - Manex.pdf 13.55 MB
Series 1/06 - Bits and Pieces - Wachowski - Darrow.pdf 956.65 KB
Series 1/07 - Wrong Number - Vince Evans.pdf 4.12 MB
Series 1/08 - Farewell Performance - Tim Sale.pdf 2.47 MB
Series 1/09 - A Life Less Empty - Ted McKeever.pdf 2.36 MB
Series 1/The Matrix Pinups.pdf 2.59 MB
Series 2/01 - An Asset to the System - Troy Nixey.pdf 6.90 MB
Series 2/02 - A Path Among Stones - Greg Ruth.pdf 5.78 MB
Series 2/03 - There Are No Flowers in the Real World - David Lapham.pdf 1.73 MB
Series 2/04 - Broadcast Depth - Bill Sienkiewicz.pdf 15.54 MB
Series 2/05 - Butterfly - Dave Gibbons.pdf 6.03 MB
Series 2/06 - Day In, Day Out - Grant - McKeever.pdf 11.53 MB
Series 2/07 - Burning Hope - John Van Fleet.pdf 8.32 MB
Series 2/08 - The King of Never Return - Ted McKeever.pdf 4.80 MB
Series 2/09 - An Easy One - Tommy Lee Edwards.pdf 947.72 KB
Series 2/10 - Let it All Fall Down - Paul Chadwick.pdf 3.98 MB
Series 2/11 - Get It - Peter Bagge.pdf 2.60 MB
Series 2/12 - Run Saga Run - Keron Grant.pdf 14.96 MB
Series 2/The Matrix Pinups.pdf 3.56 MB
Series 3/01 - The Miller's Tale - Paul Chadwick.pdf 685.25 KB
Series 3/02 - Return of the Prodigal Son - Greg Ruth.pdf 4.02 MB
Series 3/03 - A Sword of a Different Color - Troy Nikey.pdf 14.91 MB
Series 3/04 - Hunters and Collectors - Gregory Ruth.pdf 13.70 MB
Series 3/05 - Artistic Freedom - Windham - Plunkett.pdf 15.44 MB
Series 3/The Matrix Pinups.pdf 1.81 MB

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MAD #511 (2011)

MAD Magazine #511 (2011)
English | CBR | 43 pages | 85.2MB

 

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Spongebob Comics 011 c2c (2012)

Spongebob Comics 011 c2c (2012)

English | CBR | 36 pages | 26.34 MB

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i Love Trouble

What better time to discover a special talent when you find yourself about to die? Get ready for a comic that isn't full of the usual familiar type of characters.

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0-Day Comics Pack Week of 2012-11-21

0-Day Comics Pack Week of 2012-11-21

English | CBR & CBZ | Collection | 2.1 Gb



Back Issue 61(c2c)(2012)(SkyRat).cbr 102.149 MB

Prehistoric Times 103(c2c)(Prehistoric Times)(2012)(YZ1).cbr 98.161 MB

Dark Horse Presents 018 (2012) (digital) (Son of Ultron-Empire).cbr 87.705 MB

Yoko Tsuno 07 - The Curious Trio (2012) (c2c) (Morskaya Korova-Novus-HD).cbr 58.874 MB

Retrovirus (2012) (Digital) (Vee-Empire).cbr 49.271 MB

Clone 001 (2012) (Digital) (Fawkes-Empire).cbr 48.921 MB

Number 13 00 (2012) (Digital) (Fawkes-Empire).cbr 40.720 MB

Comeback 001 (2012) (digital) (Son of Ultron-Empire).cbr 39.633 MB

Clive Barker's Hellraiser 020 (2012) (3 covers) (Digital) (Fawkes-Empire).cbr 34.181 MB

Avengers 34(2013)(Digital)(C9-Novus).cbr 32.326 MB

Judge Dredd 001 (2012) (4 covers) (Digital) (Fawkes-Empire).cbr 32.086 MB

Justice League 014 (2013) (4 covers) (digital-TheGroup).cbr 29.340 MB

Transformers - More Than Meets the Eye 011 (2012) (digital-Empire).cbz 28.906 MB

Castle Waiting Vol II 18 (2012) (c2c) (Minutemen-DTs).cbz 26.672 MB

Exile to Babylon 01 (of 04) (digital) (Son of Ultron-Empire).cbr 26.228 MB

Savage Dragon 183(2012)(Digital)(Tyrant Lizard King-EMPIRE).cbr 26.187 MB

Steed and Mrs. Peel 003 (2012) (5 covers) (Digital) (Fawkes-Empire).cbr 25.937 MB

Witchblade - Demon Reborn 04 (2012) (2 Covers) (Tarutaru-Novus).cbr 25.826 MB

Star Wars - Agent of the Empire - Hard Targets 02 (of 05) (2012) (Digital) (Fawkes-Empire).cbr 24.860 MB

Legend of Oz - The Wicked West v2 02 (2012) (2 Covers) (Tarutaru-Novus).cbr 24.597 MB

Edgar Allan Poe's The Conqueror Worm (2012) (digital) (Son of Ultron-Empire).cbr 24.450 MB

Simpsons Comics 196 (2012) (Harkonnen-DCP).cbr 24.162 MB

The Spider 006(2 covers)(2012)(Digital)(Tyrant Lizard King-EMPIRE).cbr 24.143 MB

Harbinger 06 (2012) (digital) (Minutemen-TwiztidScanner).cbr 23.885 MB

The Darkness 108 (2012) (Digital) (Nahga-Empire).cbr 23.621 MB

Frankenstein Alive, Alive 2(2012)(Digital)(C9-Novus).cbr 23.594 MB

Astonishing X-Men 056 (2012) (digital) (Son of Ultron-Empire).cbr 23.574 MB

Mind the Gap 006 (2012) (Digital) (Fawkes-Empire).cbr 23.451 MB

Transformers - Robots In Disguise 011 (2012) (digital-Empire).cbz 22.985 MB

It Girl! and the Atomics 4(2012)(Digital)(C9-Novus).cbr 22.644 MB

Minimum Carnage Omega 001 (2013) (digital-TheGroup).cbr 22.254 MB

Sword of Sorcery 002 (2013) (2 covers) (digital-TheGroup).cbr 22.236 MB

Fathom Kiani 04 (2012) (2 Covers) (Tarutaru-Novus).cbr 21.904 MB

Wolverine And The X-Men 21(2013)(Digital)(C9-Novus).cbr 21.577 MB

Revival 005 (2012) (F) (Digital) (jericko-Empire).cbz 21.382 MB

The Shadow 008 (2012) (4 covers) (Digital) (Nahga-Empire).cbr 21.323 MB

Captain Marvel 007 (2013) (Aquaman).cbr 20.750 MB

The Bionic Man 014 (2012) (GreenBlast-DCP).cbr 20.656 MB

Red She-Hulk 059 (2013) (GreenGiant-DCP).cbr 19.618 MB

X-O Manowar 07 (2012) (digital) (Minutemen-InnerDemons).cbr 19.602 MB

2000AD 1810 (2012) (Digital) (Nahga-Empire).cbr 19.075 MB

The Adventures of Augusta Wind 001 (2012) (Digital) (K6DVR-Empire).cbr 18.655 MB

Dark Avengers 183 (2013) (Digital) (Zone-Empire).cbr 18.441 MB

Grimm Fairy Tales Bad Girls 004(2012)(Digital)(Tyrant Lizard King-EMPIRE).cbr 18.175 MB

Legion of Super-Heroes 014 (2013) (Digital) (Nahga-Empire).cbr 18.131 MB

Green Lantern - New Guardians 014 (2013) (2 covers) (Digital) (Nahga-Empire).cbr 18.032 MB

G.I. Joe - Snake Eyes v02 019 (2012) (digital-Empire).cbz 17.485 MB

Blue Beetle 014 (2013) (Digital) (Nahga-Empire).cbr 17.420 MB

Birds of Prey 14 (2013) (Digital) (Cypher-Empire).cbr 17.351 MB

KISS Girls 006(2012)(2 covers)(Digital)(Tyrant Lizard King-EMPIRE).cbr 16.950 MB

Indestructible Hulk 1(2013)(Digital)(C9-Novus).cbr 16.819 MB

Nightwing 014 (2013) (Digital) (Nahga-Empire).cbr 16.802 MB

Dark Shadows 010 (2012)(FB-DCP)(C2C).cbr 16.749 MB

Journey Into Mystery 646 (2013) (Digital) (Zone-Empire).cbr 16.479 MB

Voltron 009 (2012) (digital-TheGroup).cbr 16.180 MB

Captain America V7 1(2013)(Digital)(C9-Novus).cbr 15.871 MB

The Unwritten 043 (2013) (Digital) (Nahga-Empire).cbr 15.842 MB

Wolverine 316 (2013) (digital-TheGroup).cbr 15.793 MB

Smallville Season 11 023 (2012) (Digital) (Zone-Empire).cbr 15.692 MB

Spike 04 (2012) (Digital) (Cypher-Empire).cbr 15.520 MB

Fables 123 (2013) (Digital) (Nahga-Empire).cbr 15.363 MB

DC Universe Presents 014 (2013) (digital-TheGroup).cbr 15.323 MB

The Rocketeer - Cargo of Doom 04 (of 04) (2 covers) (2012) (digital) (Minutemen-TwiztidScanner).cbr 15.272 MB

Iron Man 002 (2013) (Digital) (Zone-Empire).cbr 15.060 MB

Peter Cannon Thunderbolt 003(2012)(5 covers)(Digital)(Tyrant Lizard King-EMPIRE).cbr 15.054 MB

X-Factor 247 (2013) (Digital) (Zone-Empire).cbr 14.873 MB

The Amazing Spider-Man 698 (2013) (digital) (Minutemen-InnerDemons).cbr 14.797 MB

Catwoman 014 (2013) (Digtal) (Zone-Empire).cbr 14.675 MB

Red Hood and the Outlaws 014 (2013) (Digital) (Nahga-Empire).cbr 14.591 MB

Comic Shop News 1327 (2012) (GreenBlast-DCP).cbr 14.499 MB

Ultimate Comics Spider-Man 017 (2013) (Digital) (Zone-Empire).cbr 14.396 MB

Hellblazer 297 (2013) (Digital) (Nahga-Empire).cbr 14.366 MB

Adventure Time Halloween Ashcan (2012) (c2c) (PopBot & ArtNet).cbz 14.347 MB

Godstorm 002(2012)(Digital)(Tyrant Lizard King-EMPIRE).cbr 14.110 MB

Sonic Universe 046 (2013) (digital-TheGroup).cbr 14.023 MB

Arrow 007 (2012) (digital) (Son of Ultron-Empire).cbr 14.004 MB

Daredevil 20 (2013) (digital) (Minutemen-InnerDemons).cbr 13.949 MB

Batman Beyond 014 (2012) (DCP Digital).cbr 13.828 MB

Batman - Arkham Unhinged 053 (2013) (Digital) (Nahga-Empire).cbr 13.814 MB

Wonder Woman 014 (2 Covers) (2013) (Digital) (Zone-Empire).cbr 13.710 MB

Batwoman 014 (2 Covers) (2013) (Digital) (Zone-Empire).cbr 13.558 MB

Supergirl 014 (2013) (Digital) (Zone-Empire).cbr 13.386 MB

Hawkeye 004 (2013) (Digital) (Archangel+Zone-Empire).cbr 13.244 MB

B.P.R.D. - 1948 02 (of 05) (2012) (digital) (Minutemen-InnerDemons).cbr 13.098 MB

Ultimate Comics X-Men 018.1 (2013) (Digital) (Zone-Empire).cbr 13.000 MB

Grimm Fairy Tales 079(2012)(Digital)(Tyrant Lizard King-EMPIRE).cbr 12.991 MB

Uncanny X-Force 034 (2013) (Digital) (Zone-Empire).cbr 12.950 MB

Commando 4552 - The Sergeant and the Squad (2012) (Digital) (K6DVR-Empire).cbr 12.909 MB

Legends of the Dark Knight 025 (2012) (DCP Digital).cbr 12.816 MB

Ame-Comi Girls 012 (2013) (Digital) (Nahga-Empire).cbr 12.606 MB

The Crow 005 (2012) (Digital) (K6DVR-Empire).cbr 12.558 MB

Bravest Warriors 002 (2012) (4 covers) (digital-TheGroup).cbr 12.538 MB

The Goon 43 (2012) (digital) (Minutemen-InnerDemons).cbr 12.522 MB

Commando 4551 - Convict Commandos Hell's Cauldron (2012) (Digital) (K6DVR-Empire.cbr 12.097 MB

Baltimore - The Play (2012) (digital) (Minutemen-InnerDemons).cbr 11.728 MB

Star Trek 15(2012)(Digital)(C9-Novus).cbr 11.678 MB

Commando 4554 - The Chef Who Went To War (2012) (Digital) (K6DVR-Empire).cbr 10.707 MB

Commando 4553 - Sky Ace (2012) (Digital) (K6DVR-Empire).cbr 10.606 MB

Charismagic - Sparkles (2012) (Digital) (K6DVR-Empire).cbr 8.922 MB

Dungeons & Dragons - Forgotten Realms 005 (2012) (2 covers) (Digital) (K6DVR-Empire).cbr 8.546 MB

PAX ARENA 007 (2012) (Mast, Geoffo & Balak - English) (digital).cbz 2.638 MB

Insufferable 029 (2012) (Mark Waid, digital).cbz 1.739 MB

Crossed - Wish You Were Here v2 Interlude 09 (2012) (digital).cbr 998.354 kB
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Hironiko Araki – JoJo’s Bizarre Adventure, Vol. 1

Hironiko Araki 
JoJo’s Bizarre Adventure, Vol. 1 / JOJO的奇妙冒�?01 
Publisher: Tong li comics | 2004 | ISBN-10: 9861151141 | ISBN-13: 978 9861151144 | Chinese | File type: PDF | 190 pages | 147.0 mb 

Japanese comics adventure in Chinese 

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